The National Forest resident and wheelchair tennis coach releases his third EP with the quiet confidence of a man who has never once confused noise for meaning. *Heading Home* is five tracks of alternative folk that feel, from the very first bar, like pulling on a familiar coat. This is not a criticism. It is, rather, the highest compliment one can pay to music that has clearly been written not for the marketplace but for the heart.

The title track opens proceedings with a disarming simplicity. Joseph's voice — warm, unhurried, carrying just enough weathering to suggest lived experience rather than studied affectation — narrates life's stumbling progress with a kind of generous clarity. The "helping hands" he invokes are neither saccharine nor abstract; they feel earned, observed, real. Melodically, the song does what the best folk writing always does: it plants itself so naturally in the ear that you cannot quite recall the moment it arrived.

**St. David (Alternate Version)** is the EP's most atmospheric piece. Inspired by a pilgrimage to the extraordinary Welsh coastal city of St. Davids, it carries something of that place's wind-scoured, ancient quality — the sense of standing at the very edge of the known world and finding it, unexpectedly, beautiful. The "alternate version" tag might suggest a b-side rummage, but there is nothing provisional about this recording. It breathes.

**Still Small Voice (Alternate Version)** is the most overtly devotional track here, and the most nakedly brave. Writing about the Holy Spirit in 2026 is not a career-optimising move, and Joseph knows it, which perhaps explains why the song's stripped-back arrangement feels like an act of faith in itself. He strips away every possible hiding place. What remains is simply a man, a guitar, and an idea worth having.

**Restless War** is where the EP stretches its muscles most ambitiously. The outward cry against global conflict and the inward acknowledgment of personal struggle are woven together with a sophistication that avoids both the earnest platitude trap and the self-indulgent confessional. This is protest music for people who have actually sat with the question.

The EP closes with **Feels Like Home**, penned on the Isle of Wight and apparently still evolving. It is a love song of real tenderness, carrying the kind of specificity — a particular shoreline, a particular feeling — that transforms the personal into the universal. By the time it ends, you feel you have been trusted with something.

Joseph has spoken of BBC Introducing's support, of Channel 4 broadcasting his earlier work ahead of the Rio Paralympics, of releasing music in service of reforestation. None of this is incidental colour. It speaks to an artist whose creative life is genuinely continuous with his moral one — rare enough to be worth noting.

*Heading Home* will not detonate your world. It will, however, quietly and persistently improve it, which is an altogether harder thing to do.

**Released: 20th February 2026**