The classical guitar is, by its very nature, an instrument of confession. It lacks the grandeur of the orchestra, the democratic bluntness of the electric guitar, the social warmth of the piano at a party. It is a solitary instrument, built for rooms where the silence matters as much as the sound. When Tamer Sağcan sits down to compose, then, he is already making a statement about the kind of artist he intends to be: patient, interior, answerable to no trend.