Twenty years into their collective journey, Toni Armetta's Threegonos have emerged with "Questioni di Pensiero" – a recording that demonstrates how contemporary jazz can embrace global traditions without sacrificing its essential character. This Italian sextet's second album reveals a mature ensemble unafraid to let their Mediterranean roots inform their musical wanderings across continents and cultures.

The misspelling feels deliberate, doesn't it? That absent 'a' in 'Nostlgia' suggests memory's inevitable gaps, the way recollection fractures and reforms itself. And indeed, Nicosonoio has conceived this debut solo piano piece as precisely that – a soundtrack to phantom cinema, music for films that exist only in the mind's eye.

The battlefield of breakfast tables and school bags has produced an unlikely anthem in Affore's "Tiramisù (I am going out)", a compressed burst of familial energy that attempts to alchemise the morning's domestic warfare into something approaching musical gold. The band's stated mission - bridging the gap between pillow-heavy dreams and the harsh fluorescent reality of another school day - proves more ambitious than their sub-two-minute canvas might suggest.

Ferdinando Ritrovato – who performs under the moniker Iberico – arrives with the weight of a circuitous musical journey behind him. Born in Calabria in 1989 and transplanted to Milan, his path to "Non fare rumore" reads like a cautionary tale about artistic persistence. From childhood performances of 883's "Come Mai" through university-imposed exile from live performance, Iberico spent years accumulating songs that existed only in notebooks and half-formed melodies rattling around his consciousness.

Andrea Pizzo's latest venture reads like a manifesto wrapped in ten minutes of audacious genre-hopping. We Are All Bots arrives as both a philosophical treatise and a sonic experiment, one that dares to compress the existential weight of human-machine symbiosis into three carefully sculpted movements.

Four musicians describing themselves as a "private megacorp militia" have crafted what might be the most compelling fusion of metal and synthwave since Gary Numan picked up a distortion pedal. Leather Laces, emerging from the shadowy corners of Italy's Devisal Universe, have delivered a debut single that feels less like a musical statement and more like a manifesto written in power chords and programmed beats.

There's something rather affecting about an album that begins with its own definition. Anemoia—from the ancient Greek for "wind" and "mind"—describes nostalgia for a time one has never lived. It's a concept that might sound pretentious in lesser hands, but Italian guitarist Andrea Zacchia wields it with the kind of understated authority that marks the difference between genuine artistic vision and coffee-table philosophy.

The Italian guitarist and composer Ninni continues his creative path by presenting his new instrumental works to the public. 'A Meravilha' is his latest release, which is named as a reflection on the play on words "Maravilha" (Portuguese for "wonder") and "Meraviglia" (Italian for "marvel").

Italian singer-songwriter Gioaen has shared his collection of unreleased songs 'Isola delle Correnti'. This EP is the quintessence of a creative collaboration with the mix engineer and the result of his talent and perseverance.

Italian rock n roll band The Backlash was founded in 2013 in Milan, and since then the guys have become a cult representative of the local indie scene. Their musical style includes elements of psychedelic rock, shoegaze and indie.