*What does it mean to make music nobody asked for, in a house nobody will visit, about feelings nobody can quite name? Sparky's Magic Piano have the answer, and it fizzes like citrus on a winter morning.*

Brisbane does not announce itself. It broods, sweats, hums with subtropical electricity, and apparently — if Clay Wakefield is to be believed — it ferments rage. Quiet, productive, home-studio rage. The kind that produces ten tracks of snarling industrial electro-rock and then sits back, deeply satisfied, waiting for the world to catch up.

The problem with most retro-leaning rock records is that they mistake nostalgia for vision. They excavate the past the way tourists visit ruins — snapping photographs, buying a fridge magnet, going home unchanged. Törner Cryda, five students from Lund University who apparently spent their formative years listening to Zeppelin bootlegs and reading medieval hagiographies, have the good sense — and the genuine talent — to do something altogether more alive with their influences. *Knight in Pieces*, their debut long-player, doesn't reconstruct the 1970s so much as cheerfully colonise them, plant a flag, and start issuing its own passports.