Two men, a basement in Cincinnati, and three decades of unfinished business. That's the raw material behind "Cyberstalking," the latest transmission from Rob Dreyer and Nick Viltrakis, who have apparently been quietly perfecting their telepathy since 1995 without bothering to tell anyone. This is a record built on trust rather than rehearsal, and it shows in the best possible way: loose-limbed, confident, occasionally reckless, never sloppy.

Kim Cameron has done something delightfully daft and completely disarming: she has built a children's dance album around the ghosts of modern art. *Who Drew That?* takes Dalí, Picasso, Matisse, Monet, Schulz, Chuck Jones, the graffiti pioneer Barbara 62, and the painter-survivor Gershon Iskowitz, and drags them all onto a sweaty, glow-stick-lit dancefloor built for toddlers and their exhausted parents. It sounds like a fever dream cooked up by a music supervisor who'd spent too long in a gallery gift shop. It also, somehow, works beautifully.

There is a particular kind of Englishman — or in this case, a particular kind of Northern Irishman — who spent his school years convinced that greatness was simply a matter of waiting to be discovered. He didn't need to do the work; he only needed to *be*, aloofly, magnificently, and let the material of his own existence arrange itself into art. Rumour Den's Steve Simms and AJ Gilmore know this man intimately. They may well have sat next to him in double English. And on "Chapter & Verse," the fourth dispatch from their forthcoming album *Relapse*, they finally give him the song he's always assumed the world owed him — then quietly, devastatingly, take it away again.