Desire is, at its root, an uncomfortable thing. It demands something of us — a confession, a risk, a nakedness of intention that most of us spend our entire lives dressing up in metaphor and indirection. So when an artist comes along and refuses to do any of that dressing up, refuses to hide behind a veil of abstraction or a fog of implication, it is worth paying very close attention indeed. Bottara, the London-based artist whose debut single *Crumble Baby* quietly introduced her to a growing circle of attentive listeners, has done precisely that with *Give It To Me* — a single that arrives not with a whisper or a tentative knock, but with an open hand and a knowing, slightly mischievous smile.

House music has always been, at its very core, a genre defined not by complexity but by conviction. The earliest Chicago pioneers understood instinctively that a single, well-placed chord change could crack open an entire dancefloor, that the architecture of a great house track is less about ornamentation and more about the quiet authority of its foundations. OVBLucky, releasing through his own OVBL Records imprint, clearly subscribes to this philosophy. "THAT LIFE" is a single that arrives with deceptive simplicity and, upon repeated listens, reveals itself to be a rather shrewdly constructed piece of dance music — one that understands the grammar of the genre while deploying it with a confidence that feels entirely its own.

*In excitatione terrae* — the Latin translates, roughly, to "in the excitation of the earth" — opens the forthcoming debut album *In lumine lunae* from Polish solo project Viamaer, the brainchild of Krystian Jurkiewicz, a man who has, by all credible accounts, spent two years pouring the unnameable contents of his inner life directly into sound. The single arrives in late 2025 as the first dispatched fragment of that longer work, and it arrives, one must say, with devastating quietness before it detonates.