The Houston quartet's latest offering arrives like a malevolent spirit conjured from the dying embers of summer—all teeth and fury, devoid of conventional wisdom yet strangely compelling. "Prefab" is Zegovia's deliberate embrace of incoherence, a manifesto written in distorted guitars and sung through gritted teeth.

Ball in the House have crafted a curious and compelling hybrid with "Take A Chance," a track that manages to feel both achingly nostalgic and refreshingly contemporary. The Massachusetts quintet's latest offering demonstrates the peculiar alchemy that occurs when human voices alone attempt to recreate the gleaming synthesiser landscapes of the 1980s.