{"id":39655,"date":"2026-08-14T07:29:48","date_gmt":"2026-08-14T07:29:48","guid":{"rendered":"https:\/\/indiedockmusicblog.co.uk\/?p=39655"},"modified":"2026-08-14T07:31:04","modified_gmt":"2026-08-14T07:31:04","slug":"mr-charisma-some-people","status":"publish","type":"post","link":"https:\/\/indiedockmusicblog.co.uk\/?p=39655","title":{"rendered":"Mr. Charisma &#8211; Some People"},"content":{"rendered":"\n\n<br><p>The title track sets the tone with the flat, weary authority of a man who&#8217;s been burned enough times to stop apologising for his caution. It plays as warning and as scar tissue simultaneously \u2014 a song that knows the difference between paranoia and hard-won wisdom, and never confuses the two. &#8220;What Matters Most&#8221; turns its gaze toward the professionally outraged, the camera-ready agitators clogging up cable news and comment sections, and does so with a sneer sharp enough to draw blood without ever raising its voice. Restraint, here, does more damage than volume ever could.<\/p><span style=\"background-color: rgb(255, 255, 255);\"><br><\/span><p><span style=\"background-color: rgb(255, 255, 255);\">The record&#8217;s boldest gesture is its cover of Mot\u00f6rhead&#8217;s &#8220;God Was Never on Your Side.&#8221; Stripped of Lemmy&#8217;s snarl and rebuilt as a slow, candlelit indictment of religious hypocrisy, it shouldn&#8217;t work on paper \u2014 and yet it lands as the EP&#8217;s emotional centre of gravity, proof that a song&#8217;s bones can survive a total change of skin if the intent behind it stays honest. Closer &#8220;You Better Win&#8221; pivots toward something almost defiant, a grim little pep talk delivered from the trenches, motivational in the way only genuinely bleak music can be once it&#8217;s stopped pretending things are fine.<\/span><\/p><span style=\"background-color: rgb(255, 255, 255);\"><br><\/span><p><span style=\"background-color: rgb(255, 255, 255);\">Four tracks is a modest canvas, and Austin and Hatfield know it \u2014 nothing here overstays its welcome, nothing reaches for a hook it hasn&#8217;t earned. The DIY origins show occasionally in the mix&#8217;s rougher edges, but those edges suit the material; a glossier production would have sanded off exactly the qualities that make this listen feel lived-in rather than manufactured. Two men in their forties, decades deep into hardcore, have found a register that lets them say the quiet, weary things their old bands never had room for. Their reference points \u2014 Cohen, Nick Cave, Townes Van Zandt \u2014 are not name-dropped so much as absorbed, filtered through Texas dust and punk-rock discipline until they emerge sounding like nobody but Mr. Charisma.<\/span><\/p><span style=\"color: rgb(255, 255, 255);\"><br><\/span><p><span style=\"background-color: rgb(0, 0, 0); color: rgb(255, 255, 255);\">It closes on a note that feels earned rather than performed: not hope, exactly, but the flicker of solidarity that comes from someone else admitting the world is as grim as you suspected. Communion, they call it. Fair enough \u2014 few records this unadorned manage to feel this much like company.<\/span><\/p>\n\n\n\n\n<p><iframe title=\"Spotify Embed: Some People\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/3RurLQz9IYuVQ3ZNKDX1c2?utm_source=oembed\"><\/iframe><\/p>\n\n\n\n\n<iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2801657068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless><a href=\"https:\/\/mrcharisma.bandcamp.com\/album\/some-people\">Some People by Mr. Charisma<\/a><\/iframe>\n\n\n","protected":false},"excerpt":{"rendered":"<p>**Some People** arrives from Houston like a confession whispered across a bar at closing time \u2014 unhurried, unshowy, and considerably darker than the room&#8217;s lighting would suggest. Daniel Austin and Chris Hatfield have spent the better part of three decades screaming into hardcore bands with names like Die Young and Will To Live, and the temptation with a record like this \u2014 two punk lifers reaching for gothic folk and outlaw country \u2014 is to expect a novelty, a costume change. What they&#8217;ve made instead is something closer to a reckoning. Hatfield&#8217;s baritone carries the weathered gravity of Cash without ever borrowing his swagger; Austin&#8217;s guitar work, recorded entirely at home on what sounds like little more than nerve and patience, wraps around the vocals like smoke curling off a cigarette nobody asked for but everybody understands.<\/p>\n","protected":false},"author":1,"featured_media":39656,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[56,9],"class_list":["post-39655","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","tag-country-rock","tag-usa"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/indiedockmusicblog.co.uk\/wp-content\/uploads\/2026\/08\/SOME_PEOPLE_Draft_7b.jpg","_links":{"self":[{"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/39655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=39655"}],"version-history":[{"count":3,"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/39655\/revisions"}],"predecessor-version":[{"id":39659,"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/39655\/revisions\/39659"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=\/wp\/v2\/media\/39656"}],"wp:attachment":[{"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=39655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=39655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=39655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}