{"id":39289,"date":"2026-08-02T13:18:12","date_gmt":"2026-08-02T13:18:12","guid":{"rendered":"https:\/\/indiedockmusicblog.co.uk\/?p=39289"},"modified":"2026-08-02T13:20:06","modified_gmt":"2026-08-02T13:20:06","slug":"reetoxa-demand-perfection","status":"publish","type":"post","link":"https:\/\/indiedockmusicblog.co.uk\/?p=39289","title":{"rendered":"Reetoxa\u00a0&#8211; Demand Perfection"},"content":{"rendered":"\n\n<br><p>And what a vocal it is. Mckee&#8217;s songwriting instinct here is sharp \u2014 he takes an anecdote as unglamorous as a gym-floor overheard conversation and spins it into something genuinely biting about the state of modern courtship. The lyric doesn&#8217;t moralise so much as observe, letting the absurdity of wealth-flexing and status-chasing speak for itself, and the chorus \u2014 which the band rightly seem proud of \u2014 arrives with a melodic lift that&#8217;s been earned rather than bolted on. It&#8217;s a hook built for radio without once sounding like it was designed by committee.<\/p><br><p><span style=\"background-color: rgb(255, 255, 255);\">Credit, too, to Simon Moro&#8217;s production. Recorded at The Avenue in Cheltenham, the mix has a lived-in warmth to it \u2014 nothing overly polished, nothing scrubbed of personality. Moro clearly understood the song&#8217;s emotional register and mixed accordingly: the guitars have grit where grit is needed, the low end has weight without becoming sludgy, and the vocal sits front and centre, exactly where a chorus this strong deserves to be.<\/span><\/p><span style=\"background-color: rgb(0, 0, 0); color: rgb(255, 255, 255);\"><br><\/span><p><span style=\"background-color: rgb(0, 0, 0); color: rgb(255, 255, 255);\">What ultimately makes &#8220;Demand Perfection&#8221; work is its lack of pretension. This isn&#8217;t a band straining for importance; it&#8217;s four musicians who found a genuinely good pop-rock song hiding inside a gym-floor anecdote and had the sense to get out of its way. The chorus does the heavy lifting, the rhythm section does the rest, and Mckee&#8217;s lyric adds just enough wit to keep repeat listens interesting. On the strength of this single alone, the festival slots being lined up across the UK and Europe look like a sensible bet rather than an ambitious one. Reetoxa sound, on this evidence, like a band who know precisely what they&#8217;re for.<\/span><\/p>\n\n\n\n\n<p><iframe title=\"Spotify Embed: Demand Perfection\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0c0ipqCWLgayT84GTsUOM7?utm_source=oembed\"><\/iframe><\/p>\n\n\n\n\n<p><iframe loading=\"lazy\" title=\"Demand Perfection\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/2tX4L8GIRoY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n\n\n","protected":false},"excerpt":{"rendered":"<p>Jason Mckee has spent long enough loitering at the edges of Melbourne&#8217;s live circuit to know exactly what he&#8217;s doing with &#8220;Demand Perfection,&#8221; and the confidence shows in every bar. This is a single built with the kind of precision that only comes from musicians who&#8217;ve stopped worrying about proving themselves and started simply playing. Peter Marin&#8217;s drumming sits behind the track like scaffolding \u2014 unshowy, immaculately timed, the sort of groove that lets everything else breathe. James Ryan&#8217;s guitar work, meanwhile, threads through the verses with a restraint that makes the eventual release of the chorus land like a slammed door. Kit Riley&#8217;s bass is the quiet hero of the mix, warm and elastic, filling the low end without ever crowding the vocal.<\/p>\n","protected":false},"author":1,"featured_media":39290,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[78,72],"class_list":["post-39289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-single-reviews","tag-australia","tag-garage-rock"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/indiedockmusicblog.co.uk\/wp-content\/uploads\/2026\/08\/demand-perfection84-scaled.jpeg","_links":{"self":[{"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/39289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=39289"}],"version-history":[{"count":3,"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/39289\/revisions"}],"predecessor-version":[{"id":39293,"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/39289\/revisions\/39293"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=\/wp\/v2\/media\/39290"}],"wp:attachment":[{"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=39289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=39289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/indiedockmusicblog.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=39289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}