The cover tells you plenty before the first note does: five men, one bound and kneeling, the rest looming in stained tailoring and animal masks like a wedding gone very wrong. It’s grim theatre, and the record earns it. What could easily have been a straightforward slab of alternative rock is instead threaded through with drum and bass propulsion, electronic texture, and \u2014 more surprisingly \u2014 a Latin lilt in the rhythm work that keeps threatening to pull the whole thing somewhere warmer before yanking it back into the cold. That’s not a band hedging its bets. That’s a band with five distinct sets of instincts who’ve worked out how to let all of them speak at once without anyone shouting over the others.<\/p> Parker’s vocal is the anchor. He sings like a man rehearsing a confession he isn’t sure he wants to make, the verses strained and apologetic before the chorus arrives with a conviction that makes the hesitation retroactively feel like bait. Given that the EP was written out of real experience with loss, addiction, and betrayal, that unease isn’t an affectation \u2014 it’s the sound of someone singing about something that actually happened to him, which explains why the title lands the way it does. “Surely Not?” is a question from someone who already suspects the answer and is stalling.<\/span><\/p> The production carries its own small triumph. The whole thing was written, recorded, and mixed by the band themselves in a studio they renovated specifically for this project, chasing the room-mic intensity of their live shows rather than a clean, radio-friendly finish. It shows in the best way \u2014 the low end has a bruised, uneven quality no outside producer would have left alone, and the track breathes like something captured rather than assembled. Credit is owed too to studio collaborator Andrew Parkinson, whose fingerprints are all over the record’s willingness to take risks with layering and texture.<\/span><\/p> “Surely Not?” doesn’t announce Lomens so much as it interrogates the listener \u2014 daring you to sit with dread dressed as doubt and doubt that turns out to be certainty. It’s a confident, unsettling calling card. Catch them tearing it apart live at the Key Club in Leeds on the 17th, with Wolforna and Vazon in support; on the strength of this, the room will need the warning.<\/span><\/p>\n\n\n\n\nhttps:\/\/linktr.ee\/Lomens<\/a>\n\n\n\n\n
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